The New Yorker profile of the billionaire Koch brothers who bankroll climate denial is a must-read.
Among many interesting aspects in Jane Mayer's article is the role that major arts institutions play as grateful recipients of their considerable largesse. The Smithsonian's National Museum of Natural History has the David H. Koch Hall of Human Origins which shows how humans evolve by adapting to climate change:
An interactive game in the exhibit suggests that humans will continue to adapt to climate change in the future. People may build “underground cities,” developing “short, compact bodies” or “curved spines,” so that “moving around in tight spaces will be no problem.”
(Koch Industries has been named one of the top ten air polluters in the US.)
Joe Romm writes that the New Yorker profile is:
doubly devastating because the New Yorker remains one of the few major magazines that still fact checks line by line.
What is ‘nature’? Dictionaries urged to include humans in definition
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Defining nature as separate from people perpetuates troubled relationship
with the natural world, say campaigners
It was last year, during a conference ...
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