|Stephen Emmott in Ten Billion|
Theatre critic Kate Abbott in today's Guardian joins Michael Billington in reporting a life-changing experience watching Ten Billion at the
But one change is missing. What about demanding that theatre itself changes? What about demanding that mainstream theatre no longer turns away from the compelling emotional, moral and intellectual questions of how humans can continue to live in a time of climate instability? Theatre is more than science, more than facts, more than an instruction manual. What about demanding that theatre takes on its full life-changing role, somewhere between fiction and fact, and becomes the place where audiences wrestle with their future?
See 'Ten Billion' from another side.