Wallace Heim writes:
SuperstormSandy
postponed the simultaneous performances of the climate change opera
Auksalaq in two of its seven world-wide venues. Winter storm Nemo may make
travel challenging, but tonight, performances in Washington ,
Virginia and New York are scheduled to go ahead.
Superstorm
The form of the opera is the story. Composer Matthew Burtner
and media artist Scott Deal, created a system of telecommunications and
informatics, a 'telematic', they say reflect the geographies of distance and interconnection. Performers
play live in different venues. By video and audio these performances are mixed
in one location and sent out via the Internet to the other locations. Audiences
contribute via their laptops or cell phones using NOMAD technology.
Audience members in any one space will see and hear the live
performance happening immediately before them and see the content created in
another city. In no single location will the audience perceive the full work. Like
an ecosystem, these musical elements create interacting layers that transform into
new intricate structures.
‘Auksalaq’ is the Inupiat word for ‘melting snow/ice’. The narrative content is held together with a dramatic account of a boy’s journey, and incorporates testimonials from people in the region, social and political perspectives and scientific information along with characters personifying wind, sun, shifting ice, and clouds. These are layered with visual art, dance and music. Burtner’s score incorporates sung and spoken voices, instrumental soloists and ensembles, computer-generated sound, video and sonifications, including that of data on ice melt.
From auksalaq.org:
‘Auksalaq’ is the Inupiat word for ‘melting snow/ice’. The narrative content is held together with a dramatic account of a boy’s journey, and incorporates testimonials from people in the region, social and political perspectives and scientific information along with characters personifying wind, sun, shifting ice, and clouds. These are layered with visual art, dance and music. Burtner’s score incorporates sung and spoken voices, instrumental soloists and ensembles, computer-generated sound, video and sonifications, including that of data on ice melt.
From auksalaq.org:
‘The composition foregrounds ‘remoteness’ creating a
spectacle that is both complete and incomplete in each location. In this way Auksalaq captures a feeling
experienced by people living in the far north, a centred feeling of deep
attachment to the land but also an uncomfortable sense of isolation.'
The technology requires Internet2 and cannot be streamed live. There are sequences from earlier performances here and here.
Explanations of how the opera works are here and here.
The technology requires Internet2 and cannot be streamed live. There are sequences from earlier performances here and here.
Explanations of how the opera works are here and here.
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