David Hare says his new play about the credit crunch, The Power of Yes, is also about the theatre.
Large institutions have become arthritic in the way they programme and in their reliance on what Ken Campbell memorably called 'brochure theatre'. It seems a long time since Peter Brook's 'US' in the 1960s, when the RSC gave a director and a group of writers the freedom to tackle a big theme – in that case, Vietnam – without knowing what the end product would be.
Squirrels, whales, bears: why is the road to the White House strewn with
dead animals?
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Reports of casual cruelty to animals during the presidential race are more
about gaining votes than concern for their welfare
- US election 2024 – lat...
44 minutes ago
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