Our DVD contribution to Earth Matters On Stage is now online. The interviewees address the question: 'What Can Be Asked? What Can Be Shown? British Theatre in the Time of Climate Instability.' (The interviews can also be watched individually.)
Quoting Rilke, Dan Gretton considers the value of quickening the pace of artistic response and cautions against the narcissism of frenzy.
On her allotment, Clare Patey explains how a year-long project changed the quality of the conversation amongst its participants.
In Brazil, João André da Rocha draws attention to the movement and shapes of rural life, especially popular dance, as a way of getting closer to Brazilian culture. (Transcript here.)
From his office in the East End, Paul Heritage raises the question of those who are talked about rather than those who are talking.
With the Lake District as her backdrop, Wallace Heim asks how climate change differs from other political situations and how this might alter the ways in which theatre can be made.
Finally, Mojisola Adebayo performs the first moments of her play Moj of the Antarctic and wonders if some people in theatre think they're above climate change.
I'll be introducing the live satellite discussion between this group in London and those attending the Earth Matters conference in Oregon. This will follow the screening of the interviews in Oregon later today. That discussion will also be posted online.
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