For a society to change, the stories it tells itself have to change (that's the link between theatre and climate change). Over at Casaubon's Book, Sharon Astyk writes from the U.S. perspective,
We are no longer frontiersmen, pushing the limits, moving on and growing into the next place and the next. Instead, as Wendell Berry puts it, we must remember the counternarrative of those who came and stayed and loved a place. That narrative of stopping and staying must become our central counternarrative to the failed story of eternal growth and “always-more.”
Bugging devices: the astounding ways insects are talking and listening all
around us
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From spiders tuning their silken listening tools, to the beetle’s heady
perfume, hundreds of conversations are happening in languages we don’t
understand...
1 hour ago



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