For a society to change, the stories it tells itself have to change (that's the link between theatre and climate change). Over at Casaubon's Book, Sharon Astyk writes from the U.S. perspective,
We are no longer frontiersmen, pushing the limits, moving on and growing into the next place and the next. Instead, as Wendell Berry puts it, we must remember the counternarrative of those who came and stayed and loved a place. That narrative of stopping and staying must become our central counternarrative to the failed story of eternal growth and “always-more.”
When the news is stranger than fiction | Brief letters
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Watching in horror | Nobel prizes | Spell check, please | Delightful
country diaries | Perceptions of ‘south’
I was surprised that your feature (‘What di...
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