For a society to change, the stories it tells itself have to change (that's the link between theatre and climate change). Over at Casaubon's Book, Sharon Astyk writes from the U.S. perspective,
We are no longer frontiersmen, pushing the limits, moving on and growing into the next place and the next. Instead, as Wendell Berry puts it, we must remember the counternarrative of those who came and stayed and loved a place. That narrative of stopping and staying must become our central counternarrative to the failed story of eternal growth and “always-more.”
Phantom codes could help quantum computers avoid errors
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A method for making quantum computers less error-prone could let them run
complex programs such as simulations of materials more efficiently, thus
making t...
10 hours ago



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