One of the fascinating details in Alex Ross' The Rest Is Noise - out now in paperback in the UK - is how Mahler established the manners of today's classical music audience. Ross writes that Mahler codified,
'the etiquette of the modern concert experience, with its worshipful, pseudo-religious character. Opera houses of the 19th century were rowdy places; Mahler, who hated all extraneous noise, threw out singers' fan clubs, cut short applause between numbers, glared icily at talkative concert-goers, and forced latecomers to wait in the lobby.'
Analysis: Why the $300bn climate-finance goal is even less ambitious than
it seems
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At COP29 in Baku, developed-country parties such as the EU, the US and
Japan agreed...
The post Analysis: Why the $300bn climate-finance goal is even les...
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